13,226 Free Images of Colored Line Vector

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people ho-chunk metropolitan museum of art potawatomi (people)colored etchings

Gezicht op het Palais du Luxembourg te Parijs gezien vanaf de tuin Les promenades du Luxembourg (titel op object), RP-P-1921-634, Jacques Rigaud, 1729

vues d'optique d'après les compositions de jacques rigaud collection of j.g. de groot jamin

Cornelius de Vos, Pictor Iconum Antuerpiæ, Lucas Vorsterman the Elder, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

Vue du port de Brest prise depuis la terrasse des Capucins, 1774, Louis-Nicolas Van Blarenberghe, Louis-Nicolas Van Blarenberghe

vue du port de brest prise depuis la terrasse des capucins, 1774, louis-nicolas van blarenberghe ships of the line of france

Alms, Édouard de Beaumont

charles édouard de beaumont the essence of line

n130_w1150

Design for triple light window

tiffany studios art nouveau

Bartholomew Fair, Augustus Charles Pugin, 1 February 1808

prints by thomas rowlandson in the metropolitan museum of art augustus charles pugin

A Master of the Ceremonies Introducing a Partner, Thomas Rowlandson, 24 November 1795

samuel william fores romanticism

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Carmontelle - Melchior Grimm, John Swaine, 1769

works after carmontelle john swaine

Italian Peasant Girls at Prayer, Alexandre-Marie Guillemin, 1864

drawings in the walters art museum the essence of line

Beach Scene with Boats, Pieter Mulier the Elder

drawings by jan porcellis pieter mulier (i)

EdwardStillingfleet, Mary Beale, circa 1696

robert white (engraver)baroque

The democracy of France, Isaac Cruikshank, 3 February 1794

decapitations of people in engravings isaac cruikshank

Berlijn. Tauentzienstraße met tram en autoverkeer met op de achtergrond de Kais…, Bestanddeelnr 254-5644, November 1935

photographs by willem van de poll in berlin (1935)kaiser-wilhelm-gedächtniskirche in 1935

Purperen brem Cytisus purpureus (titel op object), RP-P-1904-4044, Hendrik Schwegman, 1793

flowers in art of the netherlands colored etchings

Gezicht op de Jardin des Marchands te Parijs Jardin a l'une des portes de Paris (titel op object), RP-P-1925-1192, between 1735 and 1805

prints by jacques-gabriel huquier in the rijksmuseum amsterdam images of paris from the rijksmuseum

Boerderij aan een rivier, RP-P-1935-485, Hendrik Kobell, 1768

hand-colored engravings in the rijksmuseum amsterdam etchings of houses

Female Nude on the Beach of Fehmarn, Ernst Ludwig Kirchner, circa 1914

paintings of nudes by ernst ludwig kirchner expressionism,expressionism

Gezicht op de haven van Amsterdam Vue de la Rhade d' Amsterdam. Bateau à Vapeur sur Zaandam (titel op object), RP-P-1905-545, Evert Maaskamp, between 1816 and 1833

etchings of sailing ships in the rijksmuseum amsterdam colored etchings

Zwaardlelie (Gladiolus carinatus Aiton) Gladiolus tenellus var. flore majore (titel op object), RP-P-1904-4051, Hendrik Schwegman, 1793

flowers in art of the netherlands colored etchings

Postcard of Ljubljana 1917 (2)

postcards of the ljubljanica in ljubljana 1917 postcards of ljubljana

Pauwenkers (Ixora coccinea), RP-P-1904-4052, Hendrik Schwegman, 1793

flowers in art of the netherlands colored etchings

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Les vautours et les pigeons (Vultures and Pigeons), Pierre Quentin Chedel, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le torrent et la riviere (The Torrent and theRiver), Louis-Simon Lempereur, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

Africa Agreeable to the Most Approved Maps, Thomas Conder, 1778

maps by thomas conder 1778 maps of africa

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Round and Sound, Five Pence a Pound, Duke Cherries, Francis Wheatley, published 1795

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

One Tree Hill, Greenwich Park, Thomas Rowlandson, 1802

prints in the national gallery of art (washington, d.c.)romanticism

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

Do You Want Any Matches?, Francis Wheatley, published 1794

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A New Love Song Only a Ha'Penny a Piece, Francis Wheatley, published 1796

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Africa Drawn from the Latest Authorities, Thomas Kitchin, 1780

maps by thomas kitchin 1780 maps of africa

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Grote Markt te Rotterdam, ca. 1790 Groote Markt, te Rotterdam Grand Marché et Statue d'Erasme à Rotterdam (titel op object), BI-B-FM-116-35, Evert Maaskamp

19th-century prints in the rijksmuseum amsterdam colored etchings

Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90

william holland (publisher)romanticism

Academiegebouw te Leiden, ca. 1790 De Akademie te Leiden Vue de L'academie à Laiden (titel op object), BI-B-FM-116-31, Evert Maaskamp

18th-century prints in the rijksmuseum amsterdam colored etchings

Rafael Barradas - Retrato 2, Rafael Barradas, circa 1924-26

collections of the museo nacional de artes visuales rafael barradas

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London, William Hogarth, 1747

etchings in the yale center for british art realism

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea, William Hogarth, 1747

etchings in the yale center for british art realism

The Iliad and the Odyssey, John Flaxman Jr., 1834

neoclassicism henry moses

Simon Lord Lovat, William Hogarth, circa 1746

european art in the brooklyn museum realism

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